Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Hirst, Claude Raguet
The Bookworm's Table

ID: 19084

Hirst, Claude Raguet The Bookworm's Table
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Hirst, Claude Raguet The Bookworm's Table


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Hirst, Claude Raguet

American Painter, 1855-1942  Related Paintings of Hirst, Claude Raguet :. | Book closed over Spectacles | A Gentleman-s Table | Still Life with Sewing Basket | Still Life with Lemons,Red Currants,and Gooseberries | Ode to Superstition |
Related Artists:
Girolamo dai Libri
(1474/1475 - July 2, 1555) was an Italian illuminator of manuscripts and painter of altarpieces, working in an early-Renaissance style. He was born and mainly active in Verona. His father was Francesco dai Libri, and was so named because he was an illuminator of books. Girolamo's works were noted by Giorgio Vasari. Girolamo was a pupil of Domenico Morone. Dai Libri painted his first altarpiece, a Deposition from the Cross for Santa Maria in Organo in Verona, at the age of sixteen.
TURCHI, Alessandro
Italian Baroque Era Painter, 1578-1649 Italian painter. He first studied in Verona with Felice Brusasorci in whose studio he was recorded in 1597 (Brenzoni). Dal Pozzo reported that Turchi completed Brusasorci's Fall of the Manna (Verona, S Giorgio) after his master's death in 1605; his early Veronese paintings, such as the Adoration of the Shepherds (1608; Verona, S Fermo), are ambitious, with many figures and elaborate backgrounds, echoing the local tradition of which Paolo Veronese was the most distinguished exponent. Turchi may have gone to Venice with his fellow pupil, Marcantonio Bassetti, before moving to Rome c. 1614-15. He was paid for work in the Sala Regia of the Palazzo del Quirinale in 1616-17 (Briganti), where he collaborated with a team of artists, among them Giovanni Lanfranco and Carlo Saraceni. His part was to paint an oval medallion with the Gathering of the Manna (in situ) in a style that suggests Lanfranco's influence. He soon found patrons for altarpieces and cabinet paintings, among them Cardinal Scipione Borghese. By 1619 he had settled permanently in Rome and was a member of the Accademia di S Luca,
Jean-Pierre Norblin de La Gourdaine
(in Polish, Jan Piotr Norblin; 15 July 1745 - 23 February 1830) was a French-born painter, draughtsman, engraver, drawing artist and caricaturist. From 1774 to 1804 he resided in the Polish-Lithuanian Commonwealth, where he obtained citizenship. He is considered one of the most important painters of the Polish Enlightenment. He achieved great success in Poland. Given many commissions from some of the most notable families of the Polish-Lithuanian Commonwealth, he stayed there for many years, not returning to Paris until the early 19th century. His style showed the influence of Antoine Watteau, and combined the Rococo tradition of charming fates galantes and fetes champetres with a panorama of daily life and current political events, captured with journalistic accuracy. He created a gallery of portraits of representatives of all social classes in the last years of the Polish-Lithuanian Commonwealth.






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